Archive for the ‘Daniel Chester French’ Tag
Hiawatha and Minnehaha Do Chicago
Filed under: Minneapolis parks, Minnehaha Falls | Tags: Daniel Chester French, Hiawatha and Minnehaha Statue, Jakob Fjelde, Minnehaha Falls, Ole Bull Statue, William Watts Folwell
Leave a comment The World’s Columbian Exposition in Chicago hosted the debut of Minneapolis’s most famous sculptural couple, Hiawatha and Minnehaha, in 1893.
The Minnesota building at the World’s Columbian Exposition in 1893 featured Jakob Fjelde’s sculpture of Hiawatha and Minnehaha in the vestibule.
Zoooom.
Hiawatha and Minnehaha greeted visitors to the state’s pavilion in their modest plaster costumes nearly two decades before sculptor Jakob Fjelde’s pair took their much-photographed places on the small island above Minnehaha Falls in their bronze finery in 1912.
Hiawatha and Minnehaha in their customary place above Minnehaha Falls. This photo, from a postcard, was probably taken in the 1910s. I chose this picture not only because Hiawatha appears to be climbing a mountain of rocks to cross the stream, unlike today, but also because it is a Lee Bros. photo, the same photographers who shot the photo of Fjelde below.
Jakob Fjelde, Lee Bros., year unknown. I like the cigar. (Photo courtesy of cabinetcardgallery.wordpress.com)
Jakob Fjelde was largely responsible for two other sculptures in Minneapolis parks. He created the statue of Ole Bull, the Norwegian violinist, in Loring Park in 1895. He also created the drawing that Johannes Gelert used after Fjelde’s death to sculpt the figure of pioneer John Stevens, which now stands in Minnehaha Park. Fjelde also created the bust of Henrik Ibsen, Norway’s most famous writer, that adorns Como Park in St. Paul. Fjelde’s best-known work other than Longfellow’s lovers, however, is the charging foot soldier of the 1st Minnesota rushing to his likely death on the battlefield of Gettysburg.
Fjelde’s simple commemoration of the sacrifice of Minnesota men at a pivotal moment in the Civil War. The sculpture was installed in 1893 and dedicated in 1897. (Photo: Wikipedia)
These thoughts and images of sculpture in Minneapolis parks were prompted in part by my recent post on Daniel Chester French, but also by another letter found in the papers of William Watts Folwell at the Minnesota Historical Society. Just two years after Fjelde’s successes with his sculptures for Gettysburg and Chicago, he wrote a poignant letter to Folwell in July 1895 seeking his support for an “extravagant” offer. Fjelde proposes to the Court House Commission, which was developing plans for a new City Hall and Court House, that he create a seven-foot tall statue of the Chief Justice of the U.S. Supreme Court, John Marshall, and a bronze bust of District Court Judge William Lochren, both for the sum of $1,400. Fjelde calls the price of $1,000 for the Marshall statue “1/3 of its real value.” He explains his offer to Folwell:
“Anyone who knows a little about sculpture work will know that the sums above stated are no price for such a statue but as I for the last six months have been unable to get any work to do at all and have wife and four children to take care of and in spite of utmost economy, unable to make both ends meet, I am obliged to do something extravagant, if only I can get the work to do.”
Fjelde adds that $400 for a bronze bust of Lochren would only pay for the bronze work, meaning that he would be creating the bust free. He writes that he is willing to do so because by getting Lochren’s bust into the Court House, “it might go easier in the future to get the busts of other judges who could afford to give theirs, so I would hope that would give me some work later on.”
He concludes his plea by noting that with his proposition, “The Court House would thereby get a grand courtroom hardly equalled in the U.S.”
Although I have not searched the records diligently, I have not come across anything to suggest that the Court House Commission accepted Fjelde’s offer. That may be because barely two weeks after writing his letter, the Norwegian Singing Society, led by Fjelde’s friend, John Arctander, began to raise money for a statue of Ole Bull. Fjelde began work on that statue in 1895. When all but the finishing touches were completed on the image of the Norwegian maestro the next spring, Fjelde died. He was 37.
I can’t leave another sculpture story without returning a moment to Daniel Chester French. In a longer piece on French a couple of weeks ago, I noted that when his Longfellow Memorial at Minnehaha Falls didn’t materialize, he moved on to create an enormous sculpture for the Chicago World’s Fair. Here it is in its massive splendor. It stood 60 feet tall,
Daniel Chester French’s Republic looms over the Columbian Exposition.
French’s Chicago sculpture was much larger than Fjelde’s, but Fjelde’s sculpture eventually found a home at Minnehaha Falls, where French’s proposed sculpture of Longfellow did not.
David C. Smith
© 2015 David C. Smith
And the answer is….French
Filed under: Landscape Architects, Minneapolis parks | Tags: Daniel Chester French, H.W.S. Cleveland, Horace Cleveland, William Merchant Richardson French, William Watts Folwell
Comments (3) In a post on December 29, 2010 I asked how these two pictures were related to the creation of Minneapolis parks.
Abraham Lincoln, Lincoln Memorial, Washington, D. C. (Jeff Kubina)
Minute Man, Minute Man National Historical Park, Concord, Massachusetts
Nobody has come up with the right obscure answer! So I’ll tell you.
The photos are of the most famous works of American sculptor Daniel Chester French. (The best example of French’s work in Minneapolis is the statue of John Pillsbury at the University of Minnesota.)
Here is the connection — and the key word is “related”:
Daniel Chester French’s older brother was William Merchant Richardson French. That’s this guy:
William Merchant Richardson French (Louis Betts, Art Institute of Chicago)
(Their father was Henry Flagg French who was the number two man in the U. S. Treasury Department. For eight months in 1881 he worked under Secretary of the Treasury William Windom, a U. S. Senator from Minnesota who resigned his Senate seat to become Treasury Secretary for President James Garfield. After those eight months, Windom resigned at Treasury and was elected to fill his own open seat in the Senate. He served as Secretary of the Treasury again from 1888 until his death in 1891.)
The important connection of William French to Minneapolis parks is that after graduating from Harvard in 1864 and a year at MIT studying engineering he moved to Chicago and met a man in the new and unusual profession of landscape gardening. It’s not clear how it came about, but in 1870 William French became the partner of a man thirty years older than he was. That pioneering landscape architect was Horace Cleveland.
Of course, young William, who was eager I’m sure to earn his keep with his much more experienced partner, went through his list of connections to identify potential clients. He likely recognized that one name on his list might provide useful contacts in a young city west of Chicago, Minneapolis. That contact was his cousin, George Leonard Chase, who was rector at the episcopal church in the small town of St. Anthony, which was springing up beside the falls of that name. Now it just happened that Chase had married one of the Heywood girls, Mary. And that was a funny thing because Chase’s best friend married Sarah Heywood, Mary’s sister. He and his best friend had lived together while they were students at Hobart College in New York. In fact, Chase had apparently had some influence with the regents of the University of Minnesota when they were hiring the university’s first president in 1869. Chase’s friend and brother-in-law by marriage was hired for that job. His name was William Watts Folwell.
Minneapolis Park History 